Andy Gracie’s work is concerned with information systems contained within living organisms and ecosystems and how they may be accessed and processed through the use of technology. His work reflects on the ideas of Umwelt and biosemiotics developed by von Uexkull and Seboek as it aims to explore how signs, symbols and signifiers may form a common link between artificial and natural intelligences. He is interested in using organisms as data processing systems in an effort to extract meaning and to examine how forms of robotic entity can become immersed in living networks. This interest extends to examining how organic and inorganic systems can be wired together through various channels, where communication and presence are realised by agency. The majority of Gracie’s work is realised in the form of installation, often employing robotics, custom electronics, sound and video alongside biological processes.
While following rigorous scientific methodologies and maintaining a strong critical viewpoint his work is faithful to traditional artistic principles of metaphor, ambiguity and a strong sense of wonder.